The image doesn’t hold still long enough to be finished.
Printed on metal, each piece holds light differently. The surface shifts as you move, so the work is never still—only encountered.
Artifacts of perception under light.
HD metal prints sit at the edge of a threshold, where image and reflection begin to blur. The mirrored surface doesn’t just hold a photograph; it becomes passage—like the moment before stepping through the looking glass.
What sits beneath the sheen is not only a scene, but what might be seen entering Wonderland—slightly altered, quietly uncanny, always in motion with you. Light doesn’t simply reveal it; it rearranges it.
These are not fixed records. They are moments held long enough to keep unfolding.
They ask for a slower kind of looking.
No ceremony was observed.
The pearls didn’t feel added—only remembered.
Some presences don’t change when adorned.
They become clearer.
It held still long enough for you to arrive.
Archival print on aluminum
8 × 10 in
The surface shifts with light and angle. The image changes as it’s encountered.
✶ How this work can arrive
Bare form
The image arrives unframed, direct and quiet. It holds its own surface.
Floating state
The work lifts slightly from the wall. A small separation of presence—like air under the image.
Resting state
The image is given a temporary place to stand. It lives on a surface rather than a wall—closer, more immediate.
Each version is the same image, held in a different way.
Choose how the work will arrive below.
One bloom leaned toward warmth.
The gesture was familiar—no explanation required.
The others did not interfere.
It changed when you weren’t looking.
Archival print on aluminum
5 × 7 in
The surface shifts with light and angle. The image changes as it’s encountered.
✶ How this work can arrive
Bare form
The image arrives unframed, direct and quiet. It holds its own surface.
Floating state
The work lifts slightly from the wall. A small separation of presence—like air under the image.
Resting state
The image is given a temporary place to stand. It lives on a surface rather than a wall—closer, more immediate.
Each version is the same image, held in a different way.
Choose your display option below
The markings did not originate from the subject.
They arrived from outside the frame—applied, precise.
The figure did not object.
It recognized the process as completion, not alteration.
This is what the moment could not hold.
Archival print on aluminum
8 × 10 in
The surface shifts with light and angle. The image changes as it’s encountered.
✶ How this work can arrive
Bare form
The image arrives unframed, direct and quiet. It holds its own surface.
Floating state
The work lifts slightly from the wall. A small separation of presence—like air under the image.
Resting state
The image is given a temporary place to stand. It lives on a surface rather than a wall—closer, more immediate.
Each version is the same image, held in a different way.
Choose your display option below
The lenses did not correct sight.
They redistributed it.
The gaze didn’t stop at the owl.
It continued outward.
Seeing, here, behaved like movement.
Look again. The first seeing is rarely the truest.
Archival print on aluminum
8 × 10 in
The surface shifts with light and angle. The image changes as it’s encountered.
✶ How this work can arrive
Bare form
The image arrives unframed, direct and quiet. It holds its own surface.
Floating state
The work lifts slightly from the wall. A small separation of presence—like air under the image.
Resting state
The image is given a temporary place to stand. It lives on a surface rather than a wall—closer, more immediate.
Each version is the same image, held in a different way.
Choose your display option below
A fragment of another visual language settled into the form.
The surface carries something from elsewhere—pattern, gold, gesture—
without displacing what was already there.
Two histories occupy the same skin.
The subject resisted staying singular.
Archival print on aluminum
8 × 10 in
The surface shifts with light and angle. The image changes as it’s encountered.
✶ How this work can arrive
Bare form
The image arrives unframed, direct and quiet. It holds its own surface.
Floating state
The work lifts slightly from the wall. A small separation of presence—like air under the image.
Resting state
The image is given a temporary place to stand. It lives on a surface rather than a wall—closer, more immediate.
Each version is the same image, held in a different way.
Choose your display option below
The arrangement suggested distance without departure.
Nothing shifted, yet something implied elsewhere.
Movement is not always required for arrival.
The moment ended. The image did not.
Archival print on aluminum
8 × 10 in
The surface shifts with light and angle. The image changes as it’s encountered.
✶ How this work can arrive
Bare form
The image arrives unframed, direct and quiet. It holds its own surface.
Floating state
The work lifts slightly from the wall. A small separation of presence—like air under the image.
Resting state
The image is given a temporary place to stand. It lives on a surface rather than a wall—closer, more immediate.
Each version is the same image, held in a different way.
Choose your display option below
Color remains, but behaves differently in shadow.
The composition gathers itself—
as though preserving something that prefers less attention.
Not all forms require brightness to persist.
There is more here than the moment could carry.
Archival print on aluminum
8 × 10 in
The surface shifts with light and angle. The image changes as it’s encountered.
✶ How this work can arrive
Bare form
The image arrives unframed, direct and quiet. It holds its own surface.
Floating state
The work lifts slightly from the wall. A small separation of presence—like air under the image.
Resting state
The image is given a temporary place to stand. It lives on a surface rather than a wall—closer, more immediate.
Each version is the same image, held in a different way.
Choose your display option below